Horse tram services started 19 August 1872
Electric traction from 13 October 1898 until 4 September 1962
Tramway abandonment's started in 1926, with major route closures from 1956 onwards
Trolleybuses introduced 3 April 1949 - Abandoned 27 May 1967
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Status on 7th May 2013
Destination Box
Paintwork Condition
Saloon switch
Seating
Upper Window Condition
The End Game
Our picture shows No 812 on the evening 25th October 2014 at Crich Tramway Villiage.
In a few years time, you should be able to take at similar picture of No 488 at the East Anglia transport Museum!
Our Starting Point
488 lingers at the back of the St. Mande Museum sometime in August 1984, looking as though it could drift out onto the streets of Glasgow
in revenue earning service.
Well maybe not, but by being spirited away to Boston Lodge Works in 2013 for complete refurbishment, it will
definitely be carrying passengers at EATM in the not too distant future!
Initial report prior to restoration
Dateline: 7th May 2013
Ray Maidstone here - currently I am the engineer in charge of the tramway rolling stock at the
East Anglia Transport Museum [EATM] in Carlton Colville, near Lowestoft - a role which I've had for
almost seven years. I have been asked to introduce myself and to talk about how I have come to
be involved with the 488 Glasgow tramcar project.
Through a friend's recommendation, I had made my first visit to EATM in the spring of 2006. This
quaint little Suffolk museum was a new and treasured find, as I'd never heard of it before, and
during my visit I quickly realised that my ride on two vintage tramcars was something rather
special, and I thought how interesting it must be to work behind the scenes on the vintage tram
fleet. I couldn't ever have imagined when I turned up as a volunteer in late summer 2006 that this
would lead to me being in the privileged position I'm in now, of being head of the tram depot! I
was directed to see Jim Jordan , who was the person in charge of the trams at that time, and stated
that I wanted to be involved with the trams, to which Jim, in his wry-faced style smiled, pointed
behind me, and said, "There's a tram!" which at the time, happened to be the
single-decker, Amsterdam 474 - and my work began then and there! Jim became my very highly valued
mentor in the weeks and months which followed, and a passion for preserving vintage tramcars developed
from there.
However, this wasn't my first introduction into the rolling stock world, which in fact started much
earlier in life - when I was eight years old to be precise, namely because way back in 1959, my
grandfather was the senior depot head in charge of electrical and electro-mechanical fabrication
and safety routines at Norwich, Thorpe - so the world of steam and vehicles on permanent way was
no stranger to me. Being taken into and onto these hot steaming monsters was quite exhilarating
for a young boy, but I clearly remember the day when my grandfather took me down to Thorpe
station to meet my first Diesel-electric "Deltic" CO-CO. I can't remember its number,
only that it was dark green, very big and very noisy, and the driver allowed my grandfather to take
me through the engine compartment via a small, narrow grey corridor with square windows, and I got to see
just how big the engine assembly was. It was interesting to note how clean the shiny green
paintwork was, because in all my time growing up, I never saw one that clean again!
I spent many happy years of school holidays with my grandfather, and I have to admit that I learnt
far more from him than I ever did from school [having attended the Neatishead School, and latterly
Paston Grammar, North Walsham]. It was interesting when my grandfather asked me to build his
transistor radio kit at age nine and a half, using germanium transistors! Following which I built a
fully working oscilloscope at the age of ten and a half. In the course of these boyish meddling's I
can admit that I do know what it's like to get a 470 volt D.C. belt, because I got one off the power
supply of the oscilloscope! But he must have trusted me, because it wasn't long after, that my
grandfather allowed me to dismantle an unexploded parachute phosphorous incendiary bomb
[unbeknown to my parents or my grandmother of course!].
In fact, this and the work I did for my dad's repair business meant that at the age of fourteen I was
already self-employed and so with my headmaster's permission, I left school. In the course of
being self-employed, I have designed and built numerous specialised machines for customers
including items for packaging, welding, leisure cruisers, founding, and rail guide systems - at one
point I worked on the Pleasure Beach rollercoaster and the dodgems and rail system at Joyland in
Great Yarmouth. However, my specific introduction into tramcar systems started with the
Showman's Guild in Norwich, which happens to be housed up the lane which goes past my house.
Most of the fairground rides back in the seventies were driven with D.C. equipment using old
tramcar controllers and resistor units, and many electro-mechanical projects needed my
intervention. It was very satisfying to design and invent equipment to solve their requirements.
I have also spent much of my working life as a prototyping engineer so all in all, arriving at EATM
and taking over tramcar repairs and design requirements was almost second nature!
So far within my time at EATM I have among many other things, been responsible for completing
some of the prototyping in Blackpool 'VAMBAC' railcar 11 as it wasn't capable of running reliably in
its ex-Blackpool state [since one or two essential items in the design were missing - like a stabilised
power supply to control the pilot motor], and I have been responsible for re-working the worn out
brake linkages in the afore-mentioned car 474, as well as re-building and fabricating new drum
parts for the internals of the controllers of this and our London 'HR2' double-deck car 1858.
Likewise, I have undertaken a complete re-working of the mechanical brake linkage components of
1858, meaning that the car now stops more efficiently; moreover 1858 now runs very happily with
its electric braking system, since I perfected it. I have found it particularly satisfying to receive
compliments from veteran enthusiasts who've now ridden on the London car in its corrected
condition, passing comments like, "Yes! This is how the old girl used to sound!".
Keeping the service fleet of five active trams running at our museum is quite a challenge, and in the
course of the past seven years these vehicles have required a vast amount of input from myself and
my small team, but I've brought the standard of our cars up such that its now becoming easier to
maintain them [much to the relief of my family and friends who are seeing a bit more of me these
days!]. Before I veer from EATM and talk more about Glasgow 488, allow me to mention my
involvement in a very compelling project at our museum, working with the team who are presently
re-building someone's ex-summerhouse to its former glory - which is none other than our
Lowestoft open top tram 14, of course! It is a project which never fails to offer up challenges to
myself and the others who are involved in it, because we're constantly having to 're-invent the
wheel'. At the moment I am engaged in engineering the truck, and in sorting out the design for
the car's electrics - this will include me making a suitable resistor unit and stripping and
refurbishing two of the museum's spare controllers to put into 14. Currently in my workshop at
home, I am in the middle of sorting out a pair of old Glasgow breakers for it!
This brings me abruptly into the present, and I hope my rather lengthy introduction has provided
an insight into my appointment as Project Manager for 488 on behalf of EATM and the project's
executors. It is a project that I am very enthusiastic to see flourish, and I am looking forward to
working closely with the workshop staff of the Ffestiniog Railway [FR] to ensure that we preserve
as much of the historic nature as possible, as we return 488 to full working service.
As has already been reported within the picture gallery, I made an initial visit
to Minffordd on Tuesday 23rd April, having been briefed that the car's top deck was en route to FR and would
be arriving by lorry that afternoon to be unloaded the following morning. I had been entrusted with overseeing
its safe unloading, with strict instructions to the driver that it must not be unloaded until the morning
of Wednesday 24th. Of course, in true cowboy style, the top deck was unceremoniously deposited
in the damp and drizzle next to the lower deck on Tuesday afternoon, so that when my wife Antonia
and I pulled into the campsite at Minffordd on a rather dismal Tuesday evening, seeing no sign of a
lorry and so being unaware that the top deck was in sight, it wasn't until our guide pointed out,
"It's been put on the ground over there," that we realised what had happened, and this
obviously didn't impress us much!
However, in the morning I had a very worthwhile meeting with Norman Bond, the Works Manager
for FR, and met several of his colleagues, and at last I got to meet 488 in two halves. Although
thrilled to be in the presence of this extraordinary car, the engineering aspect of me was in quite a
state of perplexity. I had read various documentation about 488 prior to my visit, and am well
used to working on aged vehicles in varying states of disrepair, however I wasn't prepared for what
was now in front of me.
Firstly, having a general look around the upper deck, it was slightly disheartening to see that
wherever 488 had been kept at AMTUIR, it had obviously had temperature problems - the
woodwork very clearly displays evidence of having been hot and cold - i.e. expansion and
contraction, and generally shows signs that panels and framework are no longer properly intact
with each other. It is quite likely that the car has been stood under a glass roof for a long period,
as many of the surface areas facing in a particular direction have had the paint faded and blistered
almost as destructively as someone having used a gas blowtorch!
It was alarming to see this level of destruction, especially when one views the antique photographs
of 488, gleaming in its fresh paint job, departing for a new life in France in November 1961.
Getting to see the returning items fifty odd years later, I have to say it's all very well to read historic
accounts and literature claiming one thing or another about 488, but when I was viewing the relic,
examining it all over, it was immediately evident that either this wasn't the same car I'd been
reading about, or - more to the point, that what has been written isn't accurate, as I will try to
explain. For example, never mind that I discovered the paintwork has been destroyed by heat,
even more disappointingly, when the car was re-painted in Glasgow prior to its big move to Paris, it
is evident that the paint was merely slapped straight over the top of previous paintwork without
any preparation having been done first!
It was also strange to see that wood screws had been installed from the inside in antiquity, straight
through the panels, with rusty points protruding from the outside! It made me wonder what level
of quality was actually involved in such work back in the fifties and early sixties. Over all, I
couldn't quite believe what I was seeing as it clearly shows that very sloppy workmanship has been
employed at some stage in the car's history - and not just in preparation for its move abroad.
Moreover, I had been led to believe that an exchange of components took place before the tram was
shipped over to Paris in order to give it a superior demeanor. I took time looking round the
upper deck, at panel work, glazing, framework, etc. and came away with quite a feeling of
disappointment as I didn't like what I was seeing. On viewing the lower deck I didn't feel much
better, as nowhere was I seeing what had been heralded in the various reports of 488. I was
viewing a very tired, well worn, un-cared for ex-museum exhibit that had a very 'past it' feel. I
made a brief examination of one of the controllers and was saddened to see how much play was
present in its shafts; clearly a very worn item. I could see I was going to have my hands full
restoring the electro-mechanical equipment. Where was all this new and re-conditioned stuff
that was supposed to have been fitted?
So, feeling rather deflated, I spoke with Norman, and to lighten my saddened state, he offered me a
ride on one of the FR trains, or a tour of his workshops, and as I've never been much of a 'rides' man
I took him up on his offer of a workshop tour.
This was a much better part of the day, and I soon lost my disappointed countenance - as it soon
became clear to me that these people were very good at what they did, and proud of it. I feel that
Boston Lodge has what's needed to sort out 488's coachwork and am confident that in re-building
488, any of the original structure and fittings that can be retained, will be. The level of
craftsmanship employed in their works is of an extremely skilled, professional standard, and in all
honesty, I was quite blown away with it. So it's by no means all bad news!
In closing, I felt that my initial visit to FR was a fairly good one, and it enabled me to make a
reasonable assessment of what work will be needed on 488. I felt at ease with Norman and the
others who I met at FR, and the tour of the workshop at Boston Lodge was simply amazing.
Preparations are currently being made to move both the upper and lower decks of 488 into the
workshop on two foot gauge trucks, and I am keeping tabs on this progress. I would expect that
on my next visit, I will be taking large quantities of measurements and making preparations to
remove the controllers, breakers, compressor, switch gear and motors.